Who’s Afraid of Claire Messud?
At the heart of the novel is a less sensational yet still unconventional story: that of two girls learning to make their way in the world, told with all the complication and unruliness of life, and also with an unspoken argument about what it means to tell a story like this. As children we experience the raw brute force of our feelings, but in the formative adolescent years , Messud told me, we learn how to be a person — ‘‘what it is to be a daughter, what it is to be a friend, what home means, what love means.’’ We learn these things by observing other people, but also from the stories that we hear: the books we read, the films we watch, the myths our culture teaches us. Yet the narratives for girls tend to be ‘‘dire,’’ she said, with violence at the forefront. With ‘‘The Burning Girl,’’ she hoped to write what she calls ‘‘a children’s book for grown-ups,’’ a book that acknowledges the inarticulable, even irrational power of emotion — an ‘‘animal thing’’ beyond understanding. It trea...